![]() ![]() Forget also all the half-arsed post-modern samplist outfits who regurgitate large chunks of old soundtrack albums, couch it in cod theatrical mystique and are thought of as weird by people who play the album at dinner parties. ![]() The more you listen, the more you hear.The second disc is the pop-art coup de grace.ultraedited ambient excursions that veer well into get-out-the-butterfly-nets sonic territory." Alternative Press (8/96, p.80) - 4 (out of 5) - ".seduces with more elastic funk grooves, dubbier bass lines and more exotic embellishments (theremin, Mellotron, waterphone, bass clarinet, e bow, etc.).the dub funk that predominates will more likely chill your marrow than ignite a disco inferno." Option (9-10/96, pp.120-121) - ".With beats as his bread, he piles on layers of samples, electronics, guitar, vocals and more in this danceable double-decker.Dangers has a better grasp of craft, melody and dynamics than any of his industrial-disco peers.a pulsating carosel of sound." Melody Maker (5/11/96, p.48) - "Forget all those `Now That's What I Call Trip Hop' compilations. Rolling Stone (10/3/96, p.74) - 3-1/2 Stars - Good/Excellent - ".What at first seems difficult to digest becomes more intriguing and intimidating with time-like an Escher drawing.
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